Ilya Silchukou was a cultural icon in his native Belarus, the lead soloist at the State Opera Bolshoi who represented his nation at official government functions at home and abroad and performed at opera houses across Europe.
He lived a privileged and comfortable life in his homeland.
And he gave it all up.
Silchukou dared to speak out against Alexander Lukashenko, who has led the former Soviet republic with an iron fist for nearly three decades.
He’s now living in suburban Boston with his wife and three children and teaches music to middle school students while he tries to revive his singing career in the U.S., where he remains relatively unknown.
“I am known in Europe, but I’ve never performed in the States, and it was like a blank piece of paper for me, just a new page,” he said during a recent interview in Boston. “We had to start from scratch here.”
When Lukashenko won a sixth term in office in 2020 in an election regarded by his opposition and the West as fraudulent, Silchukou joined tens of thousands of Belarusians at election protests that were violently suppressed and resulted in the arrests of thousands.
“It was so evident to all of us that we could not keep silent any more,” he said.
He renounced three awards that he had received personally from Lukashenko.
His friends warned him of the risks.
“They said, ‘What is the problem with you? You have everything you need,’” he said. “I was well paid in Belarus and I had all the benefits from that. I said, ‘Yes they pay me, but they don’t own me.’”
His public opposition to Lukashenko got him fired from the opera for an “act of immorality” and he was black-listed, he said. In response, he had one more act of defiance — using his baritone voice in a video of the traditional Belarusian hymn, “Mahutny Bozha,” which means “Mighty God,” and has become a signature anthem of the opposition to Lukashenko.
Still, it wasn’t until March 2021 when the police came after his wife, Tanya, and accused her of defrauding the nation’s state-sponsored child support system and threatened her with two years in jail that he knew he had to get out. He took it as a thinly-veiled threat to break up their family.
“Lots of kids in Belarus have both parents in prison,” he said.
The family came to the East Coast about a year ago at the suggestion of Marina Lvova, who runs the nonprofit Belarusians in Boston.
Lvova and her husband first saw Silchukou at one of his last public performances in Minsk and “fell in love with his voice,” she said.
But she was also impressed with his bravery for standing up to Lukashenko.
“Ilya is a real patriot of Belarus,” she said. “You cannot be successful in a country that is a prison, and unfortunately our country is a prison right now.”
Silchukou has returned to the stage, collaborating with pianist Pavel Nersessian, an associate professor at Boston University, for two recent concerts in Boston and New Jersey.
For both, he put together a retrospective of some of his personal favorite pieces spanning his career from his first singing lessons to his time at the national opera, including “Papageno” from “The Magic Flute” and “Cavatina Figaro” from the “The Barber of Seville.”
He recently had an audition with the Boston Lyric Opera and is trying to secure auditions with other opera houses in the U.S., and he’s in negotiations with U.S. agents.
“I am looking forward with hope,” he said.
